Puffy McScruffy, Pete Nice, Sam SeverĮric "Vietnam" Sadler, Hank Shocklee, Keith Shocklee, 3rd Bass (co.), MC Serch (co.), Pete Nice (co. Prince Paul, 3rd Bass (co.), MC Serch (co.), Pete Nice (co.)Įric "Vietnam" Sadler, Hank Shocklee, Keith Shocklee, 3rd Bass (co.), MC Serch (co.), Pete Nice (co.) In 1998, it was selected by The Source as one of the 100 Best Rap Albums. Packaging All items are shipped brand-new and unopened in. It was certified gold in sales by the RIAA in 1990. Protection Each record is protected within its record sleeve by a white vellum anti-dust sleeve.
The Cactus Album peaked at #55 on the US Billboard 200, and #5 on the Top R&B/Hip-Hop Albums chart.
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Label: Def Jam Recordings, Def Jam Recordings, Columbia, Columbia Cat: C 45415, FC 45415 Media Condition: Media: Very Good Plus (VG+) Will show some signs that it was played and otherwise handled by a previous owner who took good care of it.
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The album received positive reviews from music critics, and the group gained publicity be being the second white group to achieve hip hop credibility, after the Beastie Boys. Sign up for Deezer for free and listen to 3rd Bass: discography, top tracks and. Year: 1989 Audio Codec: FLAC (.flac) Rip: tracks+.cue Length: 01:06:00 01. 3rd Bass - The Cactus Album (LP, Album) Unavailable in United States. The album features the debut appearance of MF DOOM, then known as Zev Love X, on the song "The Gas Face". The album was predominantly produced by Sam Sever alongside group members MC Serch and Pete Nice, along with contributions by Prince Paul and The Bomb Squad. Buy it now - 3rd Bass - The Cactus Album - Vinyl Record - T6244A Add to Watch list.
The Cactus Album is the debut studio album by American hip hop group 3rd Bass, released in 1989 on Def Jam Recordings. Puffy McScruffy, Pete Nice, Prince Paul, Eric "Vietnam" Sadler, Sam Sever, Hank Shocklee, Keith Shocklee Descrição do álbum1988-1989 at Chung King Studios, Green Street Studios and Island Media Studios (New York, New York)ĭef Jam Recordings/Columbia Records/CBS Recordsģrd Bass, MC Serch, Mr. Ver mais Your browser does not support the audio element. The creative, sample-heavy album peaked at 5 on Billboards Top Hip Hop/R&B Albums chart and at 55 on the Billboard 200 chart, and also marked the debut of MF. It may not have completely integrated rap, but it was a precursor to a culture that became more inclusive and widespread after its arrival. 3rd Bass I 809 gether a mighty impressive band for concert performances, which gets shown off on Severe Tire Damage. The Cactus Album was also important because it proved to the hip-hop heads that white kids could play along without appropriating or bastardizing the culture. Not every single idea plays out successfully - Serch's Tom Waits impression on "Flippin' Off the Wall." is on the wrong side of the taste line, and "Desert Boots" is a puzzling Western-themed insertion - but they are at least interesting stretches that add to the dense, layered texture of the album. The duo may not have come from the streets, but their hearts were there, and it shows. The Cactus Album doesnt take any risks at.
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For one, it is full of great songs, alternately upbeat rollers ("Sons of 3rd Bass"), casual-but-sincere disses ("The Gas Face"), razor-sharp street didacticism ("Triple Stage Darkness," "Wordz of Wizdom"), and sweaty city anthems ("Brooklyn Queens," "Steppin' to the A.M.," odes to day and night, respectively), with A-plus production by heavyweights Prince Paul and Bomb Squad, as well as the surprising, overshadowing work of Sam Sever. What separates 3rd Bass and Nice & Smooth for example is the charisma, the fun and the energy that just oozes out.
Matching MC Serch's bombastic, goofy good nature and Prime Minister Pete Nice's gritty, English-trained wordsmithery (sounding like a young Don in training), 3rd Bass' debut album is revelatory in its way. 'Oval Office' (Berrin/Nash/Eric Sadler/Hank Shocklee/Keith Shocklee) 3:32: 7. Curta este álbum nos aplicativos Qobuz com a sua assinaturaīesides the upper-middle-class frat-punks-in-rap-clothing shtick of the Beastie Boys and emissary/producer Rick Rubin, who both gained a legitimate, earned respect in the rap community, there were very few white kids in rap's first decade who spoke the poetry of the street with compassion and veneration for the form. 'The Gas Face' (Berrin/Daniel Dumile/Paul Huston/Nash) 3:49: 5.
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